So-Bin Park Exhibition

The Chelsea Art Museum

poster for So-Bin Park Exhibition

This event has ended.

So-Bin Park’s imagery offsets the beautiful against the beastly into a symphony or perhaps a dissonance upon the two extremes. She juxtaposes the scaly darkness of a dragon against the delicate translucent skin of the female beauty embraced by his roughness. The resulting differences in color, texture, content, density, sparseness and the nuanced shades in-between them makes for a very sensuous yet complex oeuvre. Park plays with and engages in a dialogue about beauty and its beholder, or beauty and its perceived opposite; ugliness. Nevertheless, cultural notions of beauty may be relevant in the case of Park who earned her BA and MFA from South Korean universities and has been working there most of her life although exhibiting globally. Beauty is after all in the eyes of the beholder and may have been a matter of taste for Kant but in Hegel’s theories of aesthetics taste is not an issue. Perhaps in enumerating the criteria of standard discussions on beauty we need take note that our cultural notion of beauty is a cluster concept including the elements of order and flawlessness.

Media

Schedule

from November 20, 2009 to January 02, 2010

Artist(s)

o-Bin Park

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    Reviews

    Mary Hrbacek tablog review

    Highlights from the Chelsea Art Museum before it Closes.

    "Highlights of CAM," curated by Elga Wimmer, brings together pivotal works from four earlier exhibits, whose formal inter-relationships create a connecting thread that accentuates the collaborative spirit that is the Museum’s hallmark.

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